(...) Stefano Mazzotta and the Zerogrammi company's intuition to restore that tragedy to the body, to the flesh, to experience it without the use of words and above all not in a descriptive way, but as a reflection of what happens on a deeper level (that of consciousness), proves extremely effective. (...) “Thyestes” stages the loss of identity – or rather, its disintegration – and a body deeply wounded, like the logs of raw wood scattered across the stage, which still reveal the signs of the cuts. (Francesca Maria Rizzotti / KLP