GUARDASENTI

The moment I reveal myself on stage, whoever listens watches; and sometimes whoever watches listens. Each person giving priority to their own inner perception.

At times music carries the gesture; at other times the opposite occurs.

At times, unexpected connections and brief syntheses emerge.

Everything remains very simple, within an inevitable complexity, without any unnecessary complication.

Guardasenti, precisely.

Three listening tableaux, three “rooms” shaped by three different contemporary composers.

To immerse oneself in listening to a musical composition in order to draw choreographic inspiration from it. To observe rhythmic, timbral and formal differences and connections. To attempt to understand what musical writing and choreographic composition have to say to one another from the perspective of form and the economy of signs.

What do they evoke?

To attempt to discover — or imagine — a neutral territory where music and choreography move away from formal abstraction in order to embrace a more direct and emotional form of expressiveness.