When I appear on stage, those who listen look; sometimes those who look listen. Each prioritizes their own inner feelings. Sometimes the music brings the gesture, other times the opposite. Sometimes unexpected connections and brief summaries. All very simple, in the inevitable complexity, without any complications. Look, listen, indeed.

Three listening scenes, three "rooms" by three different contemporary composers. Immerse yourself in listening to a given piece of music to draw compositional inspiration. Observe the differences and connections in rhythm, timbre, and form. Try to understand what the musical writing and choreographic composition have to say to each other, in terms of form and the economy of signs. What does it evoke? Try to find or imagine a neutral zone, where music and choreography distance themselves from formal abstraction and embrace a more direct and emotional descriptiveness.