“(...) Quite simply, it is the journey toward one’s aspirations, passions, and beauty. Thus the two protagonists of Jentu try, fail, and begin again, never losing heart. Modern-day Don Quixotes, contemporary anti-heroes pursuing their ideals, travelling together, side by side, encouraging one another. It is within this poetic metaphor of the journey and of refusing to surrender to the world that the success of Jentu resides (...)”— Maria Luisa Buzzi, DANZA&DANZA

“(...) a story unfolding in stages, composed of powerful gestures and broad dancing steps, almost stretched and pulled like elastic from a window — a place of encounters and departures. The hidalgo is an anti-hero, battling illusions, glory, and worldly power. In its rounded and accomplished form, Jentu succeeds in narrating all of this with poetry. (...)”— Marinella Guatterini, Il Sole 24 Ore

“(...) The choreographies conceived by Stefano Mazzotta evoke different emotional states, offering themselves to both the eyes and the hearts of those who watch.”— Miriam Arensi, La Voce

“(...) The fluid score of contacts and lifts, of complicity and brotherhood (how rare it is to see a duo that does not evoke love between man and woman!) alternates with melancholic moments of suspension at the window: as though reality, impossible to ignore, always ended up calling the two heroes back to itself. And even if Chiara/Sancho never stops urging on her knight (‘get up! run! fight!’), Stefano/Don Quixote, after hanging his coat on the hook, walks away. Outside the stage, after all, it is far more difficult to give shape to dreams.”— Maddalena Giovannelli, Stratagemmi