The project takes shape around the figure of Mary, observed not as a distant religious icon, but as a profoundly human presence traversed by doubt, fragility, fear, and the possibility of transformation.

The night of the Annunciation becomes the symbolic center of the research: a suspended moment in which everyday life is suddenly fractured by the arrival of something uncontainable and unrepresentable. Magnificat focuses precisely on this fragile threshold between the human and the mysterious, between silence and revelation.

The scenic imagery engages with themes of waiting, listening, and openness to the unknown. The female body is observed as a space of passage and mutation, a place where vulnerability, wonder, disorientation, and generative strength coexist.

The research constructs a poetic landscape shaped by subtraction, light, and proximity, allowing a dimension suspended between domestic intimacy and spiritual tension to emerge. The sacred is not approached as religious representation, but as a deeply human experience of transformation.