
IN CORSO
STEFANO MAZZOTTA
// ZEROGRAMMI
THYESTES
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UNO SPETTACOLO
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*Thyestes* is a project freely inspired by Seneca’s tragedy. A choreographic and theatrical research exploring themes of power, revenge, and the violence inscribed within familial and political bonds.
Through an essential and visionary scenic language, the project questions the body as a place of desire, guilt, and destruction, bringing onto the stage the extreme fragility of the human being when faced with the abyss of power.
Thyestes originated from the dialogue generated by the 2011 Italy–Russia cultural exchange programme, which led Zerogrammi to collaborate with Dialogue Dance. The project was co-produced by the Russian festival TSEKH Festival and Fondazione Teatro Piemonte Europa / Teatro a Corte, and premiered in Italy within the extraordinary setting of the Galleria di Diana at the Reggia di Venaria — the first occasion on which the Gallery hosted a dance performance.
The project takes shape through the encounter with Seneca’s Thyestes and its tragic universe, dominated by excess, ferocity, and darkness. The story of Atreus and Thyestes becomes poetic material through which to investigate the dynamics of domination, oppression, and violence that traverse both the familial and political spheres.
The cannibalistic banquet at the center of the tragedy emerges as an extreme image of a power that destroys every possibility of relationship and humanity. Thyestes does not seek a narrative transposition of the classical text, but rather traverses the myth as a symbolic and contemporary space.
Thyestes develops through a research process oriented toward subtraction and the intensity of scenic presence, constructing a direct relationship between body, language, and space.
The creative process intertwines dance, physical composition, and tragic imagery, allowing an essential and deeply embodied dimension of tragedy to emerge. The choreographic writing works on the weight of gesture, on the tension between stillness and explosion, and on the constant relationship between control and loss.
The project’s international genesis — born from the encounter with Dialogue Dance and from the context of the Italy–Russia cultural exchange — contributed to shaping a scenic language capable of traversing different languages, places, and cultural references, while keeping at its core the archaic and contemporary force of myth.
Over time, the project continues to open reflections on the persistence of the tragic within contemporaneity and on the body’s ability to make visible the darkest zones of human experience.
Zerogrammi
Playwithfood Festival
Fondazione Teatro Piemonte Europa
Festival Teatro a Corte (It)
Teatro da Garagem
Regione Piemonte
Ministero della Cultura
Prod. Ao Quadrado (Pt)
Materiais Diversos (Pt)
Teatro Nacional D. Maria II (Pt)
Dimora Coreografica (It)
Dialogue Dance
Centro Danza Contemporanea e Performance TSEKH (Russia)
STANTSIA Art Venue (Russia)
STATUS: ongoing
FIELDS: contemporary dance / classical tragedy / physical theatre / poetic research
ACTIVATABLE FORMATS: performance / public encounter / workshop practice
ACTIVATION CONTEXTS: theatres / festivals / contemporary performance series / performative research contexts
AUDIENCES: general audiences / contemporary audiences / students / artistic communities
MODES: indoor / adaptable / scenic proximity
DURATION: full-length performance format
LANGUAGES: Italian / non-verbal
PARTNERS: festivals / cultural institutions / artistic networks
AVAILABLE MATERIALS: dossier / technical sheet / teaser / gallery / press kit






