The title originates from the poetic work of Giancarlo Majorino and already contains within itself a collective tension: a shared movement, a common going that holds together proximity, loss, desire, and transformation.

The research moves around the idea of the plurality of body and memory, observing the group not as a uniform mass but as a constellation of fragilities, differences, and individual traversals.

The project’s imagery is nourished by biographical stories, poetic materials, personal memories, and human landscapes gathered throughout the process. The body is observed as an emotional archive and a political space, capable of preserving traces of belonging, absence, and the desire for relationship.

A significant part of the research emerges from encounters with elderly people and with contexts connected to memory, roots, and the narration of lived experience. Listening thus becomes a central practice of the project — not as documentary collection, but as a possibility for constructing proximity and presence.