PUNTO DI FUGA

(...) The dancers are fluid, funny, intent – and the surreal quality of their engagement is underlined by the venue in which they perform, a neoclassical former salon, whose peeling plaster and crumbling bas-relief seem haunted by ghosts from a former era. The whole event has a spooky, timeless quality that's a touch Tarkovsky, a touch Fellini. (J. Mackrell, The Guardian)